Walton Ford: The Killing Myth
Massive five-foot by twelve-foot watercolors of lions would at first seem to represent the artist himself in his art world triumphs. These are monumen...
Dolce Paganne: White is the Most Horrific Color
When it comes to horror, I always thought that it was more effective when brought out in the story by discreet touches, for example by turning mundane...
SEED Curated by Yvonne Force at Paul Kasmin Gallery
How to Plant a SEED In art school, in the early nineties, people still threw around the provocation, “How come there are so few great women artists...
The Creature Designers: The Frankenstein Complex
“Did I request thee, Maker, from my clay
To mould me man? Did I solicit thee
From darkness to promote me?”
(Mary Shelley's Frankenstein (1818) - ...
Exclusive Interview with Bastien Lecouffe Deharme
Growing up relating to dark folklore, myth, and magic, I was the sort of child who found myself playing Queen of the Underworld or fending off mon...
Into the Dark @ GalleryX
"Deep into that darkness peering, long I stood there, wondering, fearing, doubting, dreaming dreams no mortal ever dared to dream before." - Edgar All...
Myth, Magic & Lore @ Bash Contemporary: Featuring Copycat Violence
“Myth must be kept alive. The people who can keep it alive are the artists of one kind or another.” - Joseph Campbell
On February 14, 2015, Bash Cont...
Stephanie Inagaki, ‘Myth & Metamorphosis’: Interview
Stephanie Inagaki unfurls her solo show this April 26th at Century Guild gallery. Titled, Metamorphosis, it's a revelation of anthropomorphic self por...