Pierre Schmidt: Into the Rabbit Hole of A Creative Mind
Sex sells; it entertains and lures us in. Undeniably juicy color has a similar effect, as well as the contrast between what society defines as "normal...
Morgaine Faye & Stephanie Inagaki Interview: @ Talon Gallery
Morgaine Faye and Stephanie Inagaki's work both seem to pull from deep mythological histories to build ancient worlds of wonder in our present. Faye's...
Marcos Navarro Interview: Broken Cycles @ Talon Gallery
Marcos Navarro's work is a twist of bright graphic compositions. The works fold figures, animals, and nature, built from plush flat plains of color th...
CJ Hendry ‘RORSCHACH’: Bouncing Around Our Subconscious
New York based artist CJ Hendry (formerly of Brisbane, Australia), recently showed her solo exhibition RORSCHACH in Brooklyn, NYC. She has made quite ...
The Immaterial Dream: An Interview With Daan Noppen
Recently we sat down, via the internet, with Dutch artist Daan Noppen and talked with him about his summer in Mexico. Noppen traveled with his fellow ...
SUPERNORMAL STIMULI: Interview with Christopher R. Inwood
Christopher R. Inwood is a self-taught painter set to display his fourth solo exhibition at The Third Quarter on the July 5-11. He is one of Brisbane'...
Edith Lebeau Interview: The Blue Beauty of the Fragile Mind
There is something ethereal and peaceful in the work of Canadian portrait artist Edith Lebeau. Yet, we can guess that beyond the placid, icon-looking ...
Chelsea Gustafsson’s Comfort Kills
The Australian painter Chelsea Gustafsson's new work are little nuggets of pleasure. It's the minute little scratches of detail that make the works si...
Interview: The Manic, Fetishistic and Dark Surrealism Of Ulorin Vex
You may know Ulorin Vex from her alternative model years, and you certainly may have encountered her illustrations either under the names of Malady Ch...
Rebecca Hastings: A Synthetic Valley of Dreams
Rebecca Hastings' new series of paintings 'The Eternal Youths' (2018) sets you adrift across a placid calm of bright blue that hazes into an unknown d...
Crouching Animals, Hidden Angels: The Sculptures of Susannah Zucker
Survival has always been the main essence of human beings. And for a time, wrapped up in the comfort of our modern society, we had the fleeting illusi...
Kazuhiro Hori: Something Is Troubling in The State of Dessert
It can be odd to link the line spoken by Marcellus in Hamlet with the surrealistic, hyper-realistic paintings by Japanese artist Kazuhiro Hori aka Cha...
Claire Courdavault: Pleasure Is In The Detail
A look at today’s landscape of the arts will soon draw you to the conclusion that artistic creation is more protean than ever. Art is not only limited...
Top 100 Wearable Art Designers on Instagram
For more than 5 years now, Beautiful Bizarre Magazine is keeping an attentive eye out on the rising contemporary artistic movement that is wearable ar...
The Sculpted Art Dolls of Pasha Setrova
I interviewed the very talented Pasha Setrova, a 2018 Beautiful Bizarre Magazine Art Prize Finalist and discussed her work, her life, and her career. ...
The Essence of Portraiture: An Interview with David Booth
David Booth's work 'Unit' stood out to me and I think it might to you as well. I corresponded with Booth to find out a little more about his work, pra...
Emilio Villalba: Modernist Recoding by Tamsin Smith
When our friends at Modern Eden Gallery brought to our attention a wonderful review of their current exhibition, Emilio Villalba's Symbols of Death, S...
The Pure Aesthetic Pleasure of Michael Reeder
Michael Reeder's work is a feast for the eyes. With each look, your eyes get greedier and greedier, sucking in the purest colors, bouncing between the...
Dolce Paganne: White is the Most Horrific Color
When it comes to horror, I always thought that it was more effective when brought out in the story by discreet touches, for example by turning mundane...
Angus McDonald: The Striking Stillness of Being
Angus McDonald's paintings capture the ever-escaping march of light. His works seem to freeze the world around his subject. This depiction may be an a...