Daan Noppen, Daniel Martin and Santiago Pani: El Pez Soluble 2019
Three fellow artists set out from the Netherlands to see Mexico. They were escaping the winter for the sun of Mexico in hopes of exploring their artis...
Marcos Navarro Interview: Broken Cycles @ Talon Gallery
Marcos Navarro's work is a twist of bright graphic compositions. The works fold figures, animals, and nature, built from plush flat plains of color th...
Sera Gamble TAKES OVER Beautiful Bizarre Magazine
Every month Beautiful Bizarre Magazine chooses one of our favourite creatives to TAKE OVER social media for the day. This month, we chose television w...
The Beautifully Distorted Portrait Paintings of Relm
When seeing Relm's paintings for the first time, it can be a bit overwhelming. Her art doesn't fully come alive at the first impression, but rather af...
The Surreal, Mystical Delight of Scott Mills’ Wildlife Sprites
What happens when modern life feels as though it’s spinning out of control? Scandinavians seeking a natural remedy for an unbalanced emotional state m...
INPRNT TAKES OVER Beautiful Bizarre Magazine
Every month Beautiful Bizarre Magazine chooses one of our favourite art lovers to TAKE OVER social media for the day. For July, we chose INPRNT to sha...
CJ Hendry ‘RORSCHACH’: Bouncing Around Our Subconscious
New York based artist CJ Hendry (formerly of Brisbane, Australia), recently showed her solo exhibition RORSCHACH in Brooklyn, NYC. She has made quite ...
The Immaterial Dream: An Interview With Daan Noppen
Recently we sat down, via the internet, with Dutch artist Daan Noppen and talked with him about his summer in Mexico. Noppen traveled with his fellow ...
SUPERNORMAL STIMULI: Interview with Christopher R. Inwood
Christopher R. Inwood is a self-taught painter set to display his fourth solo exhibition at The Third Quarter on the July 5-11. He is one of Brisbane'...
The Whim, Wit and Flair of Barnaby Whitfield’s Portraiture Extraordinaire
Barnaby Whitfield’s pulse-quickening portfolio of acid trip oil and pastel treats is like giving the carb-free diet that you’ve fastidiously adhered t...
Chelsea Gustafsson’s Comfort Kills
The Australian painter Chelsea Gustafsson's new work are little nuggets of pleasure. It's the minute little scratches of detail that make the works si...
Chris Mars, Annie Montgomerie & Peca: Nature of the Mind solo shows @ Copro Gallery
On Saturday, 11th May 2019, Copro Gallery opens three solo shows simultaneously; what better place to be if you are in Santa Monica? Chris Mars, Annie...
Rebecca Hastings: A Synthetic Valley of Dreams
Rebecca Hastings' new series of paintings 'The Eternal Youths' (2018) sets you adrift across a placid calm of bright blue that hazes into an unknown d...
Eleven Masters: Art of the IMC
June approaches and with it comes the IMC.
To mark the occasion, we are profiling eleven of the greatest living practitioners of a distinctive tradit...
Kazuhiro Hori: Something Is Troubling in The State of Dessert
It can be odd to link the line spoken by Marcellus in Hamlet with the surrealistic, hyper-realistic paintings by Japanese artist Kazuhiro Hori aka Cha...
The Glam Pop Photography of Pierre-Marin Delaisi
The colors are bold, the postures are theatrical. A first look at the photography of Pierre-Marin Delaisi brings you to a world where the glitter of N...
Reflexive Vision: An Interview With Zara Monet Feeney
Los Angeles-based painter, Zara Monet Feeney, is changing the way we look at figurative art. The artist, who received a BA from UCLA and an MFA from t...
The Essence of Portraiture: An Interview with David Booth
David Booth's work 'Unit' stood out to me and I think it might to you as well. I corresponded with Booth to find out a little more about his work, pra...
Chris Rivers: Mountains We Climb
Bringing a piece to life encompasses so many different skills. A thought provoking journey with colour and rituals that take place to help the artist ...
Loving Humanity: The American Realism of Leigh Bongiorno
There are many ways to perceive art: it can be a mean to escape reality or to embellish it. But some artists prefer to see it as a tool to reflect the...