Quirky Fox is proud to present 'Bibliophilia', a brand new group exhibition made especially for book lovers!
'The Ghost Lights' by Juliet Schreckinger is a truly special series that I've had the pleasure of witnessing unfold over the past few years. The Long Island based fine artist and illustrator has taken locations and creatures long lost to the passage of time and has filled them with a new lease of life.
Carlos Quinto Kemm, a visual artist whose work lives at the crossroads of memory, mythology, and metaphysics. His roots are deeply planted in the rich soil of Mexican and Latin American heritage, and his art is a constant dialogue between ancient cultural memory and the present moment.
Exclusive Interview With Lin Gökshin, 3rd Prize Winner of the Digital Art Award, 2025 Beautiful Bizarre Art Prize
Hopefully, you may have read Part 1 about this all-important topic in the world of art (if you haven’t, you...
Marcos V. Monken is a Brazilian freelance fantasy illustrator based in Monaco. He was born in 1987 and grew up in Rio de Janeiro.
Deirdre Sullivan-Beeman is a surrealist painter born out of the 3rd Wave of Feminism. She came into her own in Los Angeles in the 1990s alongside cultural movements like riot grrrl, Queercore, and DIY. As a self-taught artist, Sullivan-Beeman utilizes many DIY ethics and methods.
Manu De Mey was born in Antwerp in 1965, his mother a British artist and his father a Flemish accountant.
An exclusive interview with Stéphane Pannetier Le Hénaff to learn about his upcoming exhibitions and exciting new projects.
An exclusive interview with artist CO-MA to learn more about his work including his most recent show tackling the theme of the seven deadly sins.
Haven Gallery proudly presents, Larysa Bernhardt, "Grandma's Sacred Heart", Kimera Wachna, "Homecoming", David Lipson, "Robots Rising: Automata Annihilation", Jesus Aguado, "Whimsical Anatomy", Mikazuki Futatsu, "Twilight Circus" as well as their Little Big X, Group Exhibition.
A pencil-wielding wizard exploring the intricate depths of interiority, Summer Aldis has always had a penchant for elevating limitations into art. Growing up in Australia without means to equip her wandering imagination with a boxload of expressive tools, she worked with pencil and paper, and arguably “an unhealthy amount of stubbornness”, as she gradually developed from a self-taught artist to an award-winning champion of the humble graphite.
