The recently-opened Nanny Goat Gallery has already exhibited multiple internationally-acclaimed artists in their inaugural group show, successfully solidifying Petaluma in the North Bay Area of California as a place to enjoy pop surreal, narrative, and fantasy art. After a short hiatus to complete their renovations, Nanny Goat Gallery is back with their next group exhibition: Good & Evil.
“When I first [devised the theme] back in April, I had been watching the news on a pretty regular basis.” explains Emily Eccles, co-owner of Nanny Goat Gallery. “The topic of good vs evil was a common theme throughout broadcasts focusing on war and those affected. This made me think about how both parties in war feel they are doing the right thing – on the side of good – but are viewed by their enemies as being evil. What is good and evil, and are we all a bit of both? Do these personality characteristics live within us all and who says who is which?”
The artists have done an amazing job portraying the idea of good vs evil, both in humanity and nature.
Is the wolf hunting the rabbit evil, or is he/she just trying to feed their babies? Is a person ever truly pure good or pure evil – or must we know one trait to recognize the other in ourselves?
Emily Eccles, Co-Owner of Nanny Goat Gallery
Good & Evil
An Enticing group exhibition
Nanny Goat Gallery
215 N Water St in Old Downtown, Petaluma, CA, USA
Tel: 707-329-6388
Hours
Thursday: 1-5 pm
Friday: 1-5 pm
Saturday: 1-5 pm and by appointment
EXHIBITING ARTISTS:
Natasha Zraikat, Gutter Baby, Saskia Huitema, Ben Peeters, Taegan Treichel, Caroline Gaudreault, Philip Bosmans, Megan Aline, Simona Zecca, Rachel Bensimon, Skye Becker-Yamakawa, Ryoko Rio, Abigail Springfield, Faybel Arts, Catherine Moore, Rae Sheridan, Angelo Barile, Keight MacLean, Vanessa Michiels, Aileen Kassing, Mark Facey, Beatriz Bradaschii, Gina Barnes, Liese Chavez, Aunia Kahn, Ashlee Selburg, John Selburg, Haruo Kurano, Cyndi Dodes, Karen Remsen, Sybiline, Georgia Loring, Rupy Kaloti, Kelly Sutphin, Ken Keirns, Kat Hamilton, Bob Doucette, Ally Morgan, Ana Neves, and Deborah Scott.
Alongside the group exhibition Good & Evil, you can also enjoy works by Heidi Lustig and Taryn Riley at Nanny Goat Gallery. Be sure to check out their opening times above!
(Pen on paper)
(Textile sculpture, acrylic paint, latex)
(Watercolour, acrylics, floral embellishments, faux pearls, clay)
(1 of 1 digital original giclée of digital painting on Arches fine art 310gsm paper)
(Acrylics and spray paint on canvas)
(Acrylic on canvas)
(Oil on ampersand board)
(Acrylic, Gouache, Oil Pastel & Gold Ink)
About Nanny Goat Gallery //
Taking roots in the Petaluma arts scene, Nanny Goat Gallery celebrates new and contemporary representational art, predominantly in the pop surreal, narrative, and fantasy genres. Far from the minimalist white walls experience, Nanny Goat Gallery happily leans into its historical foundations. The gallery boasts a two-room space with rustic brick walls, across the street from the river in downtown Petaluma.
Why “Nanny Goat” Gallery?
During the 1940s to the 1960s, spanning three generations, members of Emily Eccles’ family resided on a picturesque hill in San Francisco affectionately referred to as Nanny Goat Hill. Memories of her family home evoke tales of its humble beginnings; the transformations it underwent, and the countless cherished moments shared within its walls—abundant laughter mingled with the occasional challenge.
Fast forward to today, and Emily’s journey, with her husband and gallery co-owner Paul, continues with the establishment of their gallery in Petaluma, nestled just 20 miles north of the vibrant city. This endeavor is truly a family affair, with each member contributing their unique expertise: Emily’s husband brings his skills in technology and law to the table, and Emily’s mom lends her financial acumen as CPA.
Yet, even in this modern venture, the spirits of her beloved grandmother and great-grandmother seem to linger, weaving their legacy into every aspect of their endeavor – an element that fills Emily Eccles’ heart with profound joy.
(Porcelain glaze, under glaze, copper carbonate, 22k gold and white luster, resin)
(Acrylic on wood panel in hand-built frame clay heart sculpture)
(Acrylic and gold leaf on cradled wood panel)
(Ink, watercolour, and pencil on paper)
