Anne Juul Christophersen: Forgotten Connections of Childhood Dreams

It’s hard not to be enraptured by the paintings of Danish artist Anne Juul Christophersen. I’ve tried hard to pinpoint what exactly it is about her works which draw me to them so clearly: is it the whimsical freedom represented through her characters’ adventures? The soft brush strokes, which seem to make her paintings glow? Or perhaps it’s the feeling that each painting is like a distant memory – the echoes of a dream forgotten in the morning light.

It was interesting to learn that I’m not alone: “So many people are deeply attached to my paintings and the stories within them.” Muses Anne. “I’ve met people who have started crying, looking at my paintings. I’ve received beautiful poems about [them]. I’ve even met a tall, grown man, pointing at the little girl saying, ‘She is just like me’. That’s just beautiful.”

Anne Juul Christophersen nature surrealism

And At Once Everything Was Clear

Anne Juul Christophersen nature surrealism animals

There are only two ways to live your life: as though nothing is a miracle, or as though everything is a miracle

Anne Juul Christophersen taking you to another dimension

If you’re not familiar with Anne Juul Christophersen’s paintings, they are hard to summarise under a particular genre. To me, this is part of their charm. Part fantasy, part surrealism, part fine art, Anne’s paintings take you to another dimension where you can forget any troubles in your day to day life. Labels aside, the beauty of her works shine through the characters which she depicts – most often, through the experiences of a young, blonde girl and her animal friends. Anne swears that the girl isn’t herself though.

“The entire painting is me, not just one of the characters” she explains, “I have always been fascinated by painting people. Along the way my focus became more and more on painting children, because they are strong symbols for innocence, purity, fantasy, new beginnings and fragility. That just fits perfectly with what I want with my paintings.

Suddenly one day while I was painting, this girl came walking towards me – on the canvas – crossing a bridge from a forest. It was a very strong experience, because right there and then, my artistic universe fell into place within me.

Being a child of mother nature, it was only natural that she found companionship in friends from nature. She is very Nordic and without having chosen it consciously, she is definitely related to elves and fairies – and she is somewhat connected to northern mythology.”

Anne Juul Christophersen nature surrealism animals fantasy

When the Weather is Good Enough For a Trip To the Bottom

Anne Juul Christophersen nature surrealism bear and girl

Bittersweet Victory

Connecting with nature

The strong symbols of nature within her works represent Anne’s own connection to this influential element. Living in a rural part of Denmark, Anne and her husband are surrounded by a wilderness which many no longer experience by living in the cities. Yet her familiarity with nature started long before this: “As a kid, I lived far out in the country and we did so many things that would make any parent today faint. We would sit high up – several meters – on a heavy load of hay as it was being driven home from the field. We would play in the forest. We would swim in deep lakes, go horseback riding and sometimes chill out, sitting back to back with a large cow, resting on the field. And we weren’t afraid. We were just a part of it all – we were connected with the nature surrounding us.”

Anne Juul Christophersen’s own memories of adventure are beautifully captured through her artworks, and what makes her acrylic paintings even more alluring to me are the way they don’t portray the marvel of nature in a traditionally ‘sunshine and rainbows’ way. Often, her forest backgrounds fade into darkness as they envelope the little girl and her friends. Sunbeams streak through thick mist, and gnarly ancient trees intertwine far beyond the paintings, pulling you further into each scene.

The light in the darkness

To me, nature doesn’t have “scary places”. Nature just is. It is neither good nor bad. It is… nature.

I asked Anne if she was trying to show a different side to the dark woodlands through her paintings, a side less scary than the typical interpretation of such places: “It’s funny that you ask me that,” she laughs, “because I never think of it that way – that my characters are in scary places. To me, nature doesn’t have “scary places”. Nature just is. It is neither good nor bad. It is… nature.” She reminded me of her own childhood adventures: “It’s exactly like that in my paintings. No one is really afraid, because it all fits and belongs together.”

And perhaps it is Anne’s perception of nature, which connects with us so deeply, amalgamating lesser-explored elements of the wilderness within an equally positive light. Humanity, no matter how advanced we become technologically, still has an intrinsic link to the natural world which many of us fail to nurture within the modern way of living. “I definitely agree with you that many humans need to reconnect with nature and that is very difficult, when we have such a strong urge to live so closely together in large cities.” Says Anne, “The alienation from nature, which we are all part of, hurts inside us. I sense that my paintings somehow contribute to relieve that pain.”

Anne Juul Christophersen nature surrealism animals fantasy

Dream Fisher

Creativity developed over time

Given Anne’s ability to nurture this connection we have to her world on canvas, it’s interesting to learn that Anne’s childhood wasn’t spent painting. “Creativity was a very natural thing in my childhood home, as my mother and my grandfather both painted as a hobby. My father was an architect, so we always had paper and drawing tools in the house. As a child, I could sit by myself and draw for hours and hours, while fairytales magically appeared on the paper in front of me. I was completely captivated. On the paper, everything could happen. It was magical.

[Yet] I didn’t begin painting before my twenties. Up until then I think, I was too humble to pick up the brushes. When I, as a kid, watched my mother painting, I was always very impressed – and I wasn’t very confident that I would ever be able to do that. As a twenty-something I graduated as an art teacher and that got me started as a painter. Soon after that, I started exhibiting my paintings as well.”

Anne Juul Christophersen nature surrealism animals fantasy

No Worries – We’ve Got You

Anne Juul Christophersen nature surrealism animals fantasy

Cirque de la Vie – Enter At Your Own Risk

Anne Juul Christophersen nature surrealism animals fantasy

Work in progress shot


These days, Anne’s paintings will sell almost immediately upon release, and her work is shown internationally through art fairs and her partnerships with Galería Krabbe in Spain and Bruno Dahl Gallery in Denmark. But what about upcoming solo exhibitions? Well, for those that can make it to Denmark, Anne will be unveiling her solo show “Connected” at Galerie Wolfsen in Spring 2020.

“I have set some very strict dogmas for the exhibition.

Dogma #1: There must be 12 paintings

Dogma #2: Each painting must be 150 x 150 cm

I have a few more dogmas, but they´re yet to be revealed. The exhibition will be a tribute to nature´s cycle and my studies on the earlier days´ religions and their ways of living in pact with nature.” Anne shares. “In relation to the exhibition, I will be releasing a book […] about the exhibition and about the many thoughts I´m having along the way [connected to] my process. It will be a book with explanatory texts, poems and maybe even a fairytale.”

To see more of Anne’s work and find out more about her, head over to her website, or follow Anne on Instagram and Facebook.

Anne Juul Christophersen galerie wolfsen

Anne Juul Christophersen with Galerie Wolfsen owner Kent Wolfsen

Who is closest to the shore when you swim in the sea of infinity?

Anne Juul Christophersen nature surrealism animals fantasy

Cyanotype 1

Cyanotype 2

A Nightmare of a Dream II

Yes, I’m certain this is the right way – almost…

About Author

Based in the UK, Natalia Joruk enjoys a life surrounded by art, nature, and curious trinkets. As Deputy Editor, she's worked closely with the Editor-in-Chief for over a decade, supporting with the design and growth of Beautiful Bizarre and the maintenance of the annual Beautiful Bizarre Art Prize. Natalia also oversees sponsor partnerships for the Beautiful Bizarre Art Prize, and distribution of the magazine, so drop her an email if you know someone who would like to sponsor or stock! She also writes for both the Beautiful Bizarre Magazine website and print publication. One of her favourite perks is getting to know artists, gallery owners and their teams personally, so feel free to email her if there is anything she can help you with – or just to connect.


This site is protected by reCaptcha and the Google Privacy Policy and Terms of Service apply.

The reCAPTCHA verification period has expired. Please reload the page.

Beautiful Bizarre will never supply your information to anyone else without your explicit permission - see our PRIVACY POLICY.

Join the Beautiful Bizarre email list


This site is protected by reCaptcha and the Google Privacy Policy and Terms of Service apply.

The reCAPTCHA verification period has expired. Please reload the page.

Beautiful Bizarre Magazine takes your privacy seriously, we will
never share your information without your express permission.