‘Tis time for the eerie, the hopelessly dreary. Your heart will jumpstart viewing Arch Enemy’s art. Their darkened show beckons,...
What are you waiting for? Go ahead, liberate your artistic self and let those wild creative sparks ignite your imagination....
Françoise de Felice is a prolific French painter of Italian descent. She draws portraits of women imbued with the mysteries of the European baroque style. She plays with textures and creates liquid shades with an obvious sharpness. Her style, born out of skill and willpower, is rich. Her paintings complete...
Issue 34 of Beautiful Bizarre Magazine, with Julie Filipenko’s vibrant and evocative painting, “Lingering Daydream” on the cover, is out now! Contact...
Text below is from 2020 Beautiful Bizarre Art Prize Winner, Phillip Singer’s exclusive interview in the December 2020 Issue 31...
‘Animalia’, is Beautiful Bizarre Magazine’s 12th international curated exhibition, and third at Haven Gallery in Long Island, New York. It brings together over 80 of the world’s best two and three dimensional artists, each exploring the ‘Animalia’ theme through their own unique styles, genres and mediums. “Using animals as the...
Psst, did you know Karen Jerzyk’s solo exhibition (and book release) opened over the weekend at The Dark Art Emporium?...
Wrangle your artistic senses and set your sights high on Gabe Leonard’s new solo exhibition, “Totally Under Control”, opening this...
Vampires, creatures, and all things weird and wonderful… sink your teeth into something magical. Step into the fantasy of the season and immerse yourself in the dark, romantic inclinations of Modern Eden Gallery’s exciting October exhibitions. Awaken a heightened sense of emotion and imagination as you experience three new bodies...
When Joel Chavez set his sights to portray Neoclassicism with his flair, he recreated the paintings from the Baroque and...
Don’t blame your goosebumps on the chill in the air. Attending Palette Gallery’s artsy creature feature “The Evil Among Us”...
Any artist will tell you that it is what doesn’t make it onto the page that makes or breaks a piece of art as much as that which makes it onto the page. Too much can ruin hours of hard work while not enough, and the work can fall short...
