Tom Christophersen Interview: Artist. Actor. Atrocity?
Portraiture and performance artist Tom Christophersen knows the two disciplines go hand in hand. His portraits are a performance and he takes this tru...
PlayHouse @ AFA Gallery: An Interview with Nicoletta Ceccoli
The fanciful work of Nicoletta Ceccoli imparts a haunting storybook ambiance, bending your sensory faculties to her creative renderings. Ethereal with...
The Pure Aesthetic Pleasure of Michael Reeder
Michael Reeder's work is a feast for the eyes. With each look, your eyes get greedier and greedier, sucking in the purest colors, bouncing between the...
Darla Jackson: Sculpting Reflections of Human Emotion
Emotionally charged
A rabbit sits, head bowed into paws, in the depths of grief. Eyes covered, nose buried, shoulders hunched, followed by the fine d...
The Multilayered Goddess: An Interview with Handiedan
'The art of Dutch artist Handiedan involves a complex cut and paste mixture of digital and highly detailed sculptural hand cut collages, complimented ...
Jeremy Hush: Drawing a Hazy Memory
Jeremy Hush, mostly a self-taught illustrator, was drawing before he could talk. “I can’t remember a time when I wasn’t drawing,” said Jeremy. “I a...
The Recognizable Incomprehension of Ben Smith
The works of the Australian painter Ben Smith are unique. The compositions build unique worlds that engage you through a recognizable incomprehension,...
Erin Nicholls Interview: The Perpetual Tourist
The work of Australian artist Erin Nicholls is a reflection of an artistic life lived well. From learning Old Masters' oil painting techniques in ...
Interview: Hell is Empty, All the Demons are with Jim Pavelec
My fascination with demonology started during teenage years, when discovering the sculptures of the cathedrals and the paintings of Hieronymus Bosch. ...
The New Romantics Curated By Caro Buermann @ Corey Helford Gallery
Corey Helford Gallery in LA opened three exciting new shows on July 28th. Jasmine Becket-Griffith’s solo show Magical Thinking, Zoe Byland’s solo, Pre...
Kylie Dexter: Roving in the “Dolldrums”
Bedraggled bedheads tug at your heartstrings with their pleading, pitiful, bloodshot eyes; eyes replete with the dark circles of an insomniac. With mo...
Painting with Blasphemy: An Interview with Carrie Ann Baade
While the idea of blasphemy is usually tied to religion, it can also be applied to long-held traditions that society also holds sacrosanct. In the pai...
Emotional Stories and Studio Visit: Reisha Perlmutter
Reisha Perlmutter is an extraordinarily talented oil painter who was born and raised in Naples, Florida. Reisha's subject matter is always connected ...
Erika Sanada Studio Visit + Togetherness @ Modern Eden Gallery
On July 14th, Modern Eden Gallery presents the fifth major ME solo exhibition of Erika Sanada. As part of Beautiful Bizarre Magazine’s exciting r...
Kathrin Longhurst: The Protagonist Is Female
Aptly named, Protagonist, Kathrin Longhurst’s recent solo exhibition at Nanda\Hobbs Gallery, portrays how women are becoming the powerful, empowered p...
A Voyage through the Analogue: An Interview with Ellen Rogers
Photography has always been thought of as a “truth” medium, so much that even Baudelaire distrusted its advance and competition with what he saw as tr...
Subversive @ Cult & Harper
Cult & Harper has burst onto the art scene in Australia. It flung open its doors with its first exhibition curated by Lisa King. It's bold, its co...
AM DeBrincat: Mixed Media Extraordinaire
AM DeBrincat and I crossed paths a few years ago and I was immediately drawn to her whimsically colorful pieces. Her work stood out from others that w...
Laura Castellanos and the Alienbots
“In a world of junkyards, spare parts, and smog, live the Alienbots. They exist at the bottom of the societal pyramid. The workers. The trash collecto...
The Narrative Wearable Art of Breath & Stone
There is a saying that tells that art is music for the eyes, and sometimes, music is intertwined so much with an artwork, you could almost hear its sy...