Tom Christophersen ‘Thanatophobia’ @ The Stockroom Gallery
Death. It is not the most glamourous concept to bring out in a conversation. Yet, we all have faced its reality at one point or another and consequent...
The Painterly Precision of Robin Eley’s Photorealism
In the contemporary art world, wildly exciting and incredibly diverse forms of creative expression abound. Experiencing some of it is like hopping on ...
Daan Noppen, Daniel Martin and Santiago Pani: El Pez Soluble 2019
Three fellow artists set out from the Netherlands to see Mexico. They were escaping the winter for the sun of Mexico in hopes of exploring their artis...
Morgaine Faye & Stephanie Inagaki Interview: @ Talon Gallery
Morgaine Faye and Stephanie Inagaki's work both seem to pull from deep mythological histories to build ancient worlds of wonder in our present. Faye's...
Marcos Navarro Interview: Broken Cycles @ Talon Gallery
Marcos Navarro's work is a twist of bright graphic compositions. The works fold figures, animals, and nature, built from plush flat plains of color th...
CJ Hendry ‘RORSCHACH’: Bouncing Around Our Subconscious
New York based artist CJ Hendry (formerly of Brisbane, Australia), recently showed her solo exhibition RORSCHACH in Brooklyn, NYC. She has made quite ...
Marie Larkin: Quest – The Journey @ Weswal Gallery
Let your eyes wander through the many details of Marie Larkin’s exquisite artistic visions. With enigmatic emotion and a creative energy bursting at t...
INTERVIEW: Freedom Lies in the Portrait Paintings of Janne Kearney
You know our love for portraiture and deep conversations with rising artists of new contemporary art. So, we definitely need to interview Janne Kearne...
SUPERNORMAL STIMULI: Interview with Christopher R. Inwood
Christopher R. Inwood is a self-taught painter set to display his fourth solo exhibition at The Third Quarter on the July 5-11. He is one of Brisbane'...
Courtney Brims Interview: Mother Nature of the Art World
A cornucopia of native wildlife. Courtney Brims is an artist who wholly celebrates personal connections to nature, especially within the Australian la...
Interview: Kane Kokaris and an Intriguing Universe of Animals
The art of Kane Kokaris is alluring. Bright, bold colors exist on perfectly clean black backgrounds. This beautiful contrast creates undeniable beauty...
Chelsea Gustafsson’s Comfort Kills
The Australian painter Chelsea Gustafsson's new work are little nuggets of pleasure. It's the minute little scratches of detail that make the works si...
Hayley Welsh: Of Monsters and Zen
For those who gravitate toward the right-brained domain, the frenzied way of today’s world can weigh quite heavily upon our minds and allegorical shou...
Rebecca Hastings: A Synthetic Valley of Dreams
Rebecca Hastings' new series of paintings 'The Eternal Youths' (2018) sets you adrift across a placid calm of bright blue that hazes into an unknown d...
Yanni Floros: Life is not a plot; it’s in the imperceptible details
Growing up, Yanni Floros discovered he was better at drawing than painting. He opted for charcoal as his medium because it had, in his eyes, a misnome...
Tash Sultana: The One-Person Band
Tash Sultana sprouted from humble roots, busking in the streets of Melbourne Australia to earn a living, all while teaching themself to be multifacete...
The Dreamlike Figurines of Vipoo Srivilasa
As a Thai born Australian ceramicist, Vipoo Srivilasa creates awe inspiring, childlike figurines that perfectly blend the two cultures of his identity...
Top 100 Sculptors of 2018 on Instagram
As the Editor-in-Chief of Beautiful Bizarre Magazine I have had the pleasure of working with many incredible sculptors for more than 5 years now - for...
INTERFACING: Tom Christophersen and Michael Simms @ Stanley Street Gallery
Tom Christophersen and Michael Simms are two of Australia's most exciting and talented queer, figurative artists. INTERFACING is their first collabora...
Kylie Dexter: Roving in the “Dolldrums”
Bedraggled bedheads tug at your heartstrings with their pleading, pitiful, bloodshot eyes; eyes replete with the dark circles of an insomniac. With mo...