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EXHIBITIONS

Grace Lang Solo Exhibition Hellstrong @ FIFTY24PDX Gallery

“Forever a step ahead of me, they exist in a space that I aspire to live in. They are Hellstrong.”

Grace Lang has prepared a deeply personal solo show for FIFTY24PDX Gallery this September. In her biggest show on the West Coast to date, Grace has tried to define the way her mind feels at war with her body and the role of physical pain in her life; she has centered this show towards a way to convey herself into these artworks. Disembodied heads and symbols, which Grace calls her glyphs, express the incommunicable nature of pain and the failings of language to express certain things. In some of the works for this show, Grace has taken a different approach, very consciously trying to depict the frustration she feels about having a body that hurts. She has also included a lot of the creatures or buddies that hang out with the babes that represent the people in her life who have helped her get through the tougher times. Grace still uses her unique style and colours to represent the narrative along with her incredible 3D sculptures. Head to the Upper Playground Portland (Upportland) to see Grace’s works in person!

HELLSTRONG: Solo Exhibition

Opening Reception:

September 7, 2017

Exhibition Dates:

September 7 -30, 2017

FIFTY24PDX Gallery

23 NW 5th Avenue Portland, OR

About the Show:

I used to dream that a faceless, nameless villain had stolen my hands. Sometimes they stayed lost; other times I’d look down to find them improperly reattached, rendering them useless for my purposes. Hands represent control, especially for an artist, and the loss of that control was frightening. These dreams came during a time of serious physical transformation – I was recovering from corrective spine surgery and this unconscious imagery provided a visual motif for my feelings of powerlessness, the desperation of suddenly inhabiting a body altered by an outside force. The surgery I had to undergo was a lot for me to deal with, especially when it came to managing the pain. I wished I’d had the opportunity to undergo something more minimally invasive, like endoscopic spine surgery, with little recovery time for an easier and less painful recuperation. It made me question why I had to have been doomed with a spinal condition, and why I had to now deal with the after-effects of surgery (though I knew it would be helpful in the long-run). For anyone who decides to learn more about spine conditions such as scoliosis or have to undergo back surgery, they will know how long the recovery process is and how much it can affect daily life. With this being said, I knew I had to find something to take my mind off it and that was art.

As I got older, I used that image to put little pieces of myself into my artwork, depicting handless beings, each on a quest to regain the strength that they had lost. Often that quest involved walking face-first into the darkness. Hellstrong, then, refers to the special breed of inner toughness one cultivates after venturing into and returning from that darkness.

While preparing this work, I also began trying to define the complicated ways in which my mind feels at war with my body. As I started feeling more authority regarding the role of pain in my life, this surge of power found its way into my images. I barely realized that my figures suddenly had hands. Not only that, but I also understood the meaning behind some of the images that I have obsessively included in my work for years. The disembodied head is the woman who, stuck with physical limitations, has moved past the need of a body. The open wound is a portal of sorts-both ingesting and expelling lifelines between beings. The glyphs are not a language, but rather, a constant attempt to define what can’t be defined in words. We have a basic need to communicate ourselves to others, but sometimes language fails. Physical pain, especially, is near impossible to convey in a satisfying way. When communication breaks down, the beings in my universe call upon their open wounds, transferring their insides into others and thus sharing their pain in a manner unavailable to us.

The women in these drawings, paintings and sculptures are manifestations of my hopes for myself. Forever a step ahead of me, they exist in a space that I aspire to live in. They are Hellstrong ~ Grace Lang




About Author

Kylie Dexter was born (and is currently living with her gorgeous boys, Rob and Zen)  in Melbourne, Australia. Inspired by Pop Surrealism and the New Contemporary Art movement  she began collecting original works and sculptures in the mid 90's. Since then her collection has grown to epic proportions. She has had an obsession with art from a young age and has an eye for emerging artists, and a deep understanding of the narrative the artist is trying to portray. She believes art can change the way people think and reach the deepest part of their psyches. Kylie has faith in art's ability to create an energy to express and reflect the  deep symbolism and stories that are untouchable in normal reality. She also has a  heartfelt connection to music and is a self-taught artist who brings needle felting to life via her dolls that are sold and shown around the world.   With an enthusiastic addiction for writing about art, talking about art, looking at art and making art, what better place to be, surrounded by what you love! I feel passionate that Beautiful Bizarre Magazine raises the profile of up and coming artists, supports those already in the industry and contributes positively to galleries who share a common goal; to keep art alive and flowing, to keep people creating and more importantly keep people collecting and expressing themselves via the images on their walls. . 'Take your broken heart, make it into art' ~ Carrie Fisher

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